- Carlos Saldanha, Chris Wedge
- Ray Romano, John Leguizamo, Dennis Leary, Jack Black
- 81 min.
- Release Date
After the first three wordless minutes of Ice Age, wherein mute squirrel-creature Scrat hilariously struggles to bury his sole remaining acorn in a newly formed glacier, everything goes downhill. The ensuing plot amounts to Three Men and a Baby—except, with animals. That those animals originate from a bygone period serves no specific purpose, aside from appealing to children. Though, you may question why Hollywood is obsessed with the migration of animals from prehistory. The answer: Because migrate is all they can do besides eat each other. See The Land Before Time or Disney’s Dinosaur for comparison pieces with similar forms of dino-Manifest Destiny.
Some 20,000 years ago, all creatures great and small moved south toward warmer climates, not including, of course, your average children’s movie assortment of offbeat and mismatched mammals. Manny the wooly mammoth (voice of Ray Romano) goes against stream and heads north, while the annoyingly lispy Sid the sloth (voice of John Leguizamo) trails behind, looking for his protection. Together they run across a human baby, entrusted to them by the child’s dying mother who barely survived a saber-toothed tiger attack. Elsewhere, cat group leader Soto (Goran Visnjic) assigns saber-toothed-tiger-with-a-heart-of-gold Diego (voice of Dennis Leary) to bring the baby back alive for a light snack.
So Diego befriends the reluctant Manny and Sid, promising to guide them to the human camp where they can return the child, but he really brings them closer to Soto. At least Diego feels guilty about it and questions his secret mission, as through their silly adventures, he comes to enjoy the company of his new friends. To hip-it-up, the filmmakers include scenes of mock-snowboarding, “Tai Kwon Dodos,” and plenty of other nonsense. Interspersed are scenes of surprising violence, most of it thematic. After witnessing the extinction of the whole dodo species, the audience watches icicles fall into the film’s villain. Some children might get frightened. Not the ones who play video games.
Co-directors Chris Wedge and Carlos Saldanha made their picture under Blue Sky Animation and Twentieth Century Fox Animation. Their visuals have almost no capacity to make you forget you’re watching a cartoon. Animals are over-stylized, so while Manny and Diego look relative to their species, Sid most closely resembles road kill. And the humans, with their square noses and eyes much too far apart, look like museum diorama figures come to life. Using animation merely as a conveyance for unoriginal gags and hackneyed storylines, the producers fail to grasp the limitless potential of their medium, and instead play every expected note without fail. The story never surprises you, goes just where you need it to, and then quickly ends before you realize how banal the whole experience was.
However warmly diverting Ice Age may be, the product never reaches beyond its Saturday morning cartoon-worthy stylization. The kitschy dialogue comes modernized with trendy lingo and layered by potty humor, while the soundtrack pops with era-inappropriate tunes (then again, what music would be appropriate for this setting?). Clocking-in at 81-minutes including end credits, this is barely a feature film. Subtract the two otherwise unrelated subplots about Scrat, by themselves potential short films, and the meat of the movie runs just over an hour. Perhaps the filmmakers were saving additional content for the sequel or Deleted Scenes portion of the DVD. Perhaps they ran out of jokes. Or perhaps there simply wasn’t enough here to justify a movie. Whatever the reason, the result is harmless, if unnecessary.