A heist movie whose message is on point but whose methods range from obvious to obnoxious.
Andrew Scott delivers a terrific performance in this drama, and the review is exclusive to DFR’s Patreon until it opens on November 20.
Larry Fessenden’s latest is a thoughtful look at how misfits and nonconformists are labeled as monsters.
South Korean master Lee Chang-dong returns with one of 2026’s best films, now on Netflix.
A passionate, decades-spanning drama about the dangers of suppressing desire, set against the backdrop of Spanish fascism.
This review of the Batman villain’s solo movie is exclusive to DFR’s Patreon.
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Reviews of The Debut, Clarissa, and Bunker.
Reviews of Minotaur and A Good Little Soldier
