A timely, if polemical thriller featuring the final performance by the late James Van Der Beek.
It excels at atmosphere and auditory jump scares, but it relies too much on familiar horror tropes and a thin story.
This bleak sci-epic from 2018 feels like an allegory for today.
This measured, stately samurai drama is a must-see for fans of the genre.
Maggie Gyllenhaal’s latest is a work of genre-bending feminism. DFR’s review is exclusive to Patreon supporters.
As ever, Pixar’s latest makes its high-concept plot, complex emotions, and resonant themes look effortless.
Fritz Lang’s 1931 masterpiece remains an urgent critique of groupthink and mob mentalities.
Chris and Brian review Project Hail Mary and The Bride!, and discuss some Oscar predictions.
Read reviews of the entire slasher franchise.
Brian visits the Twin Cities’ KQRS Morning Show.
