This Canadian slasher is worth a late-night viewing but isn’t a new genre classic.
An emotionally intelligent drama about grief and companionship.
A fun, if messy, anthology set in Oakland in 1987.
Jia Zhangke’s ambitious, formally inventive, and melodramatic meditation on globalization and cultural change from 2015.
Despite its excellent cast, this gory fantasy-comedy never lives up to its potential.
It’s a little uneven but well worth the trip.
A film about the resilience of children and the power of cinema.
A close look at five films by the Sixth Generation Chinese director.
Discover the highlights of the 2025 Minneapolis St. Paul International Film Festival.
Brian Eggert is the IFCA’s 2024 Critic of the Year.