Anthony Mann’s greatest Westerns involve dark heroes who conceal their deep wounds. His heroes are extreme men at the mercy of an unseen and often irrational emotional force inside themselves. This in...

Visionary and terrifying, Ridley Scott’s Alien hybridized the horror and science-fiction genres in 1979 to effectively launch a new subgenre, and countless clones have since borrowed from its DNA. Spa...

After selling his wildly original script for Being John Malkovich, screenwriter Charlie Kaufman lands a job to adapt Susan Orlean’s book The Orchid Thief, an expansion of her article published in The ...

Up on the screen, anything is possible. Egyptian adventures, upper-crust hobnobbing, a night out in the big city, fine clothes, expensive cocktails at even more expensive nightclubs, and oh—what roman...

In Woody Allen’s Crimes and Misdemeanors, a rabbi named Ben (Sam Waterston) suffers from an eye disease and may lose his sight. Ben’s ophthalmologist, Judah Rosenthal (Martin Landau), has a thriving a...

Few films are as funny and heartbreakingly true, but also as immeasurably creative as Annie Hall, Woody Allen’s sentiment on our pursuit and nostalgia for romantic relationships, however fleeting. Rel...

In Latin, the name Amadeus means “love of God” or, in other words, the object of God’s adoration. How appropriate then that Peter Shaffer chose this name as the title of his 1979 stage play about Wolf...

With masterful temperance and humanity, Clint Eastwood’s Unforgiven adopts a critical structure to reassess our perception of the American West, both in historical terms and in an autobiographical con...

Monsieur Hulot lives in the “old quarter” of Paris. Out his top floor view from his modest flat are markets and bistros teeming with activity and fascinating characters. A band of dogs scuttles about,...