Claude Lanzmann wants and needs its audience not only to remember but experience the full trauma of the past.

A pure and political art film rich with enigmas and uncertainty to spare.

Altman dissects the old-fashioned notion of mutual respect between the master and servant classes, exposing the hidden cruelties between them.

One of the Coen brothers’ funniest and most accessible films, it is also among their most introspective.

Lucrecia Martel’s exquisite and haunting adaptation of Antonio Di Benedetto novel is sensuous and formally audacious.

What remains after the movie’s deceptive simplicity and superb form is its haunting ability to mean whatever we need it to mean.

A thriller so intricate and haunting that it laid the foundation of a subsequent cultural mania.

Satyajit Ray’s Western and Eastern influences make for a distinct perspective.

It is a beautiful and, unfortunately, timeless film that bears social relevance today around the world.