When a Cenobite presents you with a deal, pass on the offer, no matter how good it sounds. Even if they promise you untold insights into life, love, knowledge, sensation, power, or resurrection—all yo...

A word of advice: If you’re an enterprising criminal, don’t ever say, “This is the last one.” Because once you declare that, chances are, things will go terribly wrong. That’s what always happens in t...

Force of Evil opens on a shot of Wall Street, the frame almost twenty stories high in the asphalt jungle. Below, a crowd full of wannabe movers and shakers bustles, and each one of them is desperate t...

Director Andrew Dominik has made films about a notorious Australian criminal (Chopper, 2000); one of the American West’s most famous outlaws (The Assassination of Jesse James by the Coward Robert Ford...

John Michael McDonagh’s The Forgiven is about “useless people.” They have a lot of money, yet they’re bored. So they travel to exotic destinations to mock local customs and assemble with other people ...

Blumhouse’s Insidious is grasping for dear life in the fifth installment, Insidious: The Red Door. Supposedly the final entry, the sequel marks the directorial debut of Patrick Wilson, who starred in ...

In Resurrection, Rebecca Hall gives the kind of performance that washes away all traces of disbelief. This twisted, Gothic tale sometimes strains credulity, especially after the credits roll and quest...

If you have limits, The Sadness will push them. If you think you can handle gory movies, it will make you question your resolve. And if you have a sensitive gag reflex, the film will test it. Streamin...

From the title sequence of Blue Steel, when the camera explores the vaginal cylinder chambers and phallic barrel of a handgun up close—in a similar tactic used by Julia Ducornau on automobiles in Tita...