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Paul Thomas Anderson’s 1996 debut is a confident first film and a stylish showcase for its excellent cast.
The second installment of Renny Harlin’s slasher trilogy is one big chase. It’s not as neat as that sounds.
Jia Zhangke’s sweeping crime story from 2018 is one of his best films.
Jia Zhangke’s ambitious, formally inventive, and melodramatic meditation on globalization and cultural change from 2015.
Jia Zhangke uses cinematic violence to tell four despairing stories about the pitfalls of capitalism.
Jia Zhangke’s drama turns the World Park in Beijing into a powerful metaphor.
A throwback slasher movie without a memorable hook.
A beautiful film that alternates between docu-style realism and ethereal drama.
Art the Clown, the killer from Damien Leone’s low-budget horror franchise, crashes Christmas. It doesn’t go well.
