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When it debuted in 1991, Terminator 2: Judgment Day blew the collective minds of action movie junkies and, well, everyone who enjoys movies. What size this production has, what innovation, and what cr...
James Cameron made True Lies after three prolonged, arduous, back-to-back productions on Aliens (1986), The Abyss (1989), and Terminator 2: Judgment Day (1991). He wanted to make something light and b...
A fairy tale set in a techno-medieval world, where armored knights occupy the same space as smartphones, flying ships, and curly fries, Nimona is an inspired blend of genres and ideas, delivered with ...
Even Dwarfs Started Small is a confounding and vivid picture, even by Werner Herzog’s standards. The Bavarian-born director often traffics in sublime assessments of Nature, complex portraits of humani...
Delicate and meditative, Wim Wenders’ Perfect Days adopts a wabi-sabi outlook that welcomes the cycles of life and finds beauty in imperfect situations. Koji Yakusho gives a marvelous performance as H...
Society of the Snow is about the so-called Miracle of the Andes. On October 13, 1972, a plane with 45 passengers departed from Uruguay en route to Santiago, Chile, and collided with a mountain ridge i...
There’s something about turning 40 that makes some people want to take stock of their lives and press reset. For Angela Bassett in 1998’s How Stella Got Her Groove Back, she needed a career change and...
Early in The Innkeepers, a hotel clerk asks his coworker to watch an online video purporting to show proof of the afterlife. She watches the grainy, black-and-white footage that shows an old rocking c...
The House of the Devil is a nerve-shattering chiller and a committed exercise in pastiche, rigidly adhering to the low-budget horror aesthetics of yesteryear. From the intentional grain that appears o...
