Art the Clown, the killer from Damien Leone’s low-budget horror franchise, crashes Christmas. It doesn’t go well.

The epic sequel moves Art the Clown into mythic territory.

Damien Leone’s messed-up 2016 cult favorite is still shocking and disgusting.

There’s no arguing with zealotry. No rationalizing with fanaticism. No debating superstitions. The Front Room is about how, in America, some Christian extremists think they know what’s best for everyo...

Alfred Hitchcock’s Rope is a unique experiment in his career. It emerged from a pivotal moment when the director shifted between major studio partnerships and gained newfound creative freedom. M...