Damien Leone’s messed-up 2016 cult favorite is still shocking and disgusting.

There’s no arguing with zealotry. No rationalizing with fanaticism. No debating superstitions. The Front Room is about how, in America, some Christian extremists think they know what’s best for everyo...

Alfred Hitchcock’s Rope is a unique experiment in his career. It emerged from a pivotal moment when the director shifted between major studio partnerships and gained newfound creative freedom. M...

From social pariahs to sources of desire, sex workers have been given countless labels. Society and art have characterized them as deviants, criminals, disease-spreaders, and victims; elsewhere, they ...

Among the more fascinating details about Saint Laurent, Bertrand Bonello’s oblique film that ruminates on the revolutionary fashion designer, is that Yves Saint Laurent’s former lover and business par...

“Listen, white world, as our dead roar. Listen to my zombie voice honoring our dead.” – René Depestre’s poem “Cap’tain Zombi” Zombi Child, Bertrand Bonello’s slyly political genre trap, adopts t...