Steve McQueen has made his version of Empire of the Sun.

Baker’s film is well-made, but we barely glimpse his characters’ internal lives. 

The last installment reframes the entire trilogy as one epic story.

A fast-paced and surprisingly emotional summer camp slaughterfest.

The first installment of Netflix’s trilogy is deliriously entertaining.

Art the Clown, the killer from Damien Leone’s low-budget horror franchise, crashes Christmas. It doesn’t go well.

The epic sequel moves Art the Clown into mythic territory.

Damien Leone’s messed-up 2016 cult favorite is still shocking and disgusting.

There’s no arguing with zealotry. No rationalizing with fanaticism. No debating superstitions. The Front Room is about how, in America, some Christian extremists think they know what’s best for everyo...